And, regardless of path type, you can always run additional DI routings for effects. You can arrange that kit in complex paths that can be split two or three ways or run in parallel for powerful stereo effects. Of course, where AmpliTube differs from real life is that you have an almost limitless amount of kit at your disposal. So, if you already know your way around classic amp controls and can figure out the order in which you want your effects then you’re halfway there. If you want to tweak a particular parameter just select the relevant piece of gear and its control panel will appear in the main window. It’s as easy as dragging an amp, cabinet or effect onto the path. Essentially, you daisy-chain amps and effects together just as you would in real life but using virtual cables. For example, the control panel on AmpliTube’s version of the Orange Dual Terror is authentically like the physical amp, and the same goes for the T.Rex Mudhoney and every other bit of gear for that matter. The graphic representations of both the path and the kit are hyper-realistic skeuomorphic images, which means they look just like the real thing, albeit in 2D. Essentially, on launch you are presented with a virtual signal path that you can use to chain together amps and effects. Whether you run AmpliTube as a standalone application on Windows/MacOS or access it within your DAW as a plugin (AU, VST 2, VST 3, AAX) the user experience is very similar.
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